‘Ganz Grosses Kino’ is a common expression in German slang – a description of any dramatic event, on or off the screen, often used ironically as a mockery of the theater of daily life. Cinema has always been a way of traveling without traveling – moving images move us. In an era of unprecedented mobility, life is becoming increasingly cinematic, as the fictions of the big screen blur into the realities of the daily news. Disaster scenarios with wars, bombs, disease, natural catastrophe, irrevocably rising sea levels. Is it Hollywood or CNN? Is art mirroring life or visa versa? While many struggle to survive, we, the fortunate, surf. We surf the web, the slipstream, the information age. We are constantly connected via smartphones iPads and apps; inundated with images, texts, and tweets; relentlessly bombarded with events, invitations, and offers. We live lives of perpetual motion from one piece of information to the next, from one opportunity to the next, and from one place to the next. Mobility – both geographical and social – not so long ago the privilege of the few – is now taken for granted as the entitlement of the majority. But as more and more people relocate, our open borders can sadly result in closing minds. Throughout Europe, nationalism is on the rise; otherness exacerbated by openness. Borders increasingly open to the right few still snap shut to the many others. Historically having expelled millions, Berlin is still making up for it, reinventing itself as the go-to capital of the mobility age. At the geographical center of Europe, Berlin acts as a vortex, sucking in the cool young things of art, fashion, media, music; professionals and tourists, migrant labourers and refugees. Berlin is a city of migrants where everyone is always from elsewhere, somewhere anywhere but here. It is a city of mobile people and moving images. Berlin is a pit-stop in the race of upward mobility; a place in-between; an ideal stage for acting out the stories of otherness; a screen onto which to project our lives as we zoom past onto the next bright distraction in this era of impermanence. ‘Ganz Grosses Kino’ is an exhibition of art from elsewhere, about otherness, on the move to somewhere else. It is a co-curation by 3 Berlin-based curators – Rachel Rits-Volloch of

MOMENTUM, Constanze Kleiner, and David Szauder, with contributions from ikonoTV, and students of Bjørn Melhus’s Virtual Realities class at Kassel University. It is a timeless exhibition of time-based art, placing the human dramas of the Old Masters alongside the digital dramas of our age.

by cw · December 11, 2015 · leave a comment

Beziehungsarbeit in Bukarest, Ramallah, Johannesburg, San Francisco

by cw · December 11, 2015 · leave a comment

https://www.facebook.com/events/1644989035779226/

Victoria Art Center Bukarest, Rumänien

http://www.goethe.de/ins/ps/de/ram/ver.cfm?fuseaction=events.detail&event_id=20561353

/si:n/ Festival für Videokunst und Performance

Ramallah, Palestina

Screening, Goethe Institut Johannesburg, Südafrika

Screning, Goethe Institut San Francisco, USA

Postcolonialism in 30sqm

by cw · September 7, 2015 · leave a comment

We are selected for the Yucatan Biennale, Mexico

and for Dokfilmfest Kassel, Nov 2016

2. Platz Deutscher Jugendvideopreis

by cw · July 7, 2015 · leave a comment

der mit 600€ dotierte 2. Platz ging an JUST KIDS LEFT ALIVE ON THE ROAD!

Inhalt: Raus aus der Sicherheit, rein ins Ungewisse. Aber in Mexiko finden Clara und Miguel weder das romantische Hippie-Leben noch das große Abenteuer. Eine Begegnung mit der Wirklichkeit.

Jurybegründung: Zwei junge Leute Mitte Zwanzig wollen aus der Langeweile ihres geordneten Lebens ausbrechen. Mit ihrer Kamera halten sie ihren kurzen Aussteigertrip nach Mexiko fest. Doch am Ende erweist sich die Flucht aus der Sicherheit als Illusion. Mit einem ebenso reflektierten wie selbstionisch-witzigen Voice-Over-Kommentar suchen Clara Winter und Miguel Ferráez in ihrem Dokumentarfilm nach dem, wovor sie weglaufen wollen und wie sie scheitern. Eine improvisiert wirkende Bildungsreise in die Ferne und wieder zurück. In die gute alte Mittelklasse, der sie nicht entkommen können.